Triads Guitar Solo Jens Larsen

Guitar Solo With Only Triads вђ Jazz Blues Jens Larsen Lick #3 – leading notes. adding chromatic passing notes to triads is a great way to use them and add some bebop or jazz flavour to the triads. the exercise here below is taking the diatonic triads in a common 8th fret scale position and add a chromatic leading note before the root. We can extract 4 triads from this: gm: g bb d, bb: bb d f, dm: d f a and f: f a c the higher we go in the chord the less of the basic sound of the chord we will retain, so using an f triad on a gm chord is something you’d want to do with some care not to sound as if you are just ignoring the harmony. notice that with these 4 triads and each.

Guitar Solo With Only Triads вђ Jazz Blues Jens Larsen Guitar solo with only triads – jazz blues. the triad is one of the strongest melodies that we have. it is a part of so many famous songs that it makes sense to work on using triads when playing a jazz guitar solo. in this lesson i will go over the triads you can use for all the chords in a 12 bar jazz blues in the key of f. Guitar solo with only triads. the solo is written out here below. in most of the bars i am only using one triad so it should be fairly easy to follow. the first bar is using the basic f major. The first line is build by using a bb major open voiced triad that continues into a gm arpeggio. for the dominant i string together an e augmented triad and an inversion of the gb7 arpeggio. the. A d e asus4. d e a dsus2. e a d stack of 4th. so we have sus4 = sus2 = stack of 4ths. let's just try and spot the structure in some chords voicings: as you can probably see we the top 3.

Triads Guitar Solo Jens Larsen The first line is build by using a bb major open voiced triad that continues into a gm arpeggio. for the dominant i string together an e augmented triad and an inversion of the gb7 arpeggio. the. A d e asus4. d e a dsus2. e a d stack of 4th. so we have sus4 = sus2 = stack of 4ths. let's just try and spot the structure in some chords voicings: as you can probably see we the top 3. Spread triads is one of the best ways to get some larger intervals into you solos. often a guitar solo that only uses scale runs and arpeggios can be a bit boring to listen to. we want to be…. So if you want to play the chord but not the root, you can use the triad from the 3rd. using this concept we have these triads to play in c major: cmaj7: e minor triad. dm7: f major triad. em7: g.

Triads Guitar Solo Jens Larsen Spread triads is one of the best ways to get some larger intervals into you solos. often a guitar solo that only uses scale runs and arpeggios can be a bit boring to listen to. we want to be…. So if you want to play the chord but not the root, you can use the triad from the 3rd. using this concept we have these triads to play in c major: cmaj7: e minor triad. dm7: f major triad. em7: g.