Fairchild Is First 1964 вђ Preservation Sound Above: the fairchild integra range of console channel modules circa 1963: for each channel on your board, you could have a 662 preamp, a 661 gate, a 664 equalizer, a 663 compressor, all controlled by a 668 noiseless lumiten fader. this is some incredible technology considering the era. i gotta imagine that no intact integra console still exists. The fairchild 606 offers both mc and mm input stages, 600ohm balanced outputs, and selectable eq curves and stereo or true mono lp operation. now, i’ve built many marantz and rca style tube phono preamps to great success, but this fairchild is simultaneously exotic and obtainable enough to be quite intriguing.
Fairchild 627 Equalizer вђ Preservation Sound One seems to have sold on ebay recently in the $7000 region. the 627 is a line level eq with continuously variable low and high bell boost sections as well as high and low roll offs. unlike a pultec, though, it is an active eq, and it uses some pretty unusual circuitry – especially the high cut section, which i don’t comprehend at all. The fairchild 660 and 670: vari mu compressor icons. the fairchild compressor, a legendary piece of audio equipment from the 1950s and 1960s, is known for its lush, warm sound and musicality. designed by rein narma, it quickly became a staple in pro recording studios worldwide. the fairchild compressor’s intricate tube and transformer based. Description. lacquer discs are a grooved recorded sound format composed of either cellulose nitrate or acetate cellulose lacquer on a core made of aluminum, steel, glass, or fiber (cardboard). the most common sizes include: 10 inch, 12 inch, 13 inch, or 16 inch. although atypical, smaller and larger disc sizes can be found in collections. This fairchild 627 came from his mastering room. i believe he built the legendary chamber at sigma, but i may be mistaken about that detail. sometime in approximately 1966 emil sold this item and a pultec that i still own to my engineering mentor jon luisi. jon and tony luisi were the next generation after emil and when he liquidated they.
Fairchild Kit Of The Early 1960s вђ Preservation Sound Description. lacquer discs are a grooved recorded sound format composed of either cellulose nitrate or acetate cellulose lacquer on a core made of aluminum, steel, glass, or fiber (cardboard). the most common sizes include: 10 inch, 12 inch, 13 inch, or 16 inch. although atypical, smaller and larger disc sizes can be found in collections. This fairchild 627 came from his mastering room. i believe he built the legendary chamber at sigma, but i may be mistaken about that detail. sometime in approximately 1966 emil sold this item and a pultec that i still own to my engineering mentor jon luisi. jon and tony luisi were the next generation after emil and when he liquidated they. The legend, reborn. designed in the late 1950s, the fairchild model 670 was, even by the mil spec standards of the day, over engineered to deliver a natural, organic sounding compressed signal along with an unprecedented degree of control thanks to distinctive features such as attack times ranging from a whiplash inducing 10,000th of a second, a selection of release times adjustable from 0.3. Input output. the fairchild 660 is a tube based single channel audio compressor invented by rein narma and manufactured by the fairchild recording equipment corporation beginning in 1959. the 660 was the first intelligent automatic volume control limiter. [1] the fairchild 670, introduced shortly after the 660, is a dual channel version. [2].
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